• Home
  • Poster Works frontpage
    • Poster Works 2D
    • Cups 3D
  • Works on paper front page
    • Consumer Robustas 2D
    • Open Rooms 2D
    • Eruptions 2D
    • Porous Suburb 2D
    • Works for Snackart 2D
    • Open Houses 2D
  • Sculptural works frontpage
    • Open Houses 3D
    • Gifts 3D
    • Explosions 3D
    • Dogs 3D
    • Top Works 3D
    • Exploded works 3D
    • Mogura Yoke 3D
    • Consumer Robustas 3D
    • Failures & Catastrophies 3D
    • Commissions 3D
    • Figures 3D
  • Solo Exhibition History
    • Reviews/Catalogue Essays
    • 2024 Exhibition: LOOK
    • 2024 Exhibition: LOOK sculptural works
    • 2024 Exhibition: LOOK works on paper 2
    • 2004 Exhibition 2 - Walking The Street
    • 2024 Exhibition: LOOK road repairs
    • 2024 Exhibition: LOOK works on paper
    • 2022 Exhibition: Spooky Action at an Add
    • 2021 Exhibition: Torn Again 2
    • 2022 exhibition catalogue essays
    • 2019 Exhibition: Shane Forrest 25 yrs
    • 2019 Exhibition: essays
    • 2019 Exhibition: poster works
    • 2019 Exhibition: porous suburb
    • 2019 Exhibition: open houses
    • 2019 Exhibition: gifts
    • 2019 Exhibition: explosions
    • 2019 Exhibition: urban figures
    • 2019 Exhibition: corruptions
    • 2010 Exhibition : FACETS
    • 2008 Exhibition: Deface
    • 2008 Exhibition: Deface opening
    • 2007 Exhibition: Defacing the street
    • 2007 Exhibition: Defacing the street -re
    • 2007 Exhibition: Defacing the street - b
    • 2006 Exhibition: Float
    • 2006 Exhibition: Float: essay & catalogu
    • 2004 Exhibition: Outside interference
    • 2004 Exhibition: Outside interference 2

Torn Again 31 march - 3 april 2021

“Torn Again” is the title chosen by Shane Forrest to encapsulate this revisiting of his poster works from 2000 -2010.The ideas that informed these works are still current in his continuing practice.The poster was a new direction for Forrest in the mid 1980’s. He explains his discovery of this medium. “While stopped at the lights, I looked over to see a bank of familiar posters, which had recently been covered by a new layer.I realised I knew what was underneath, the location of now hidden colours, shapes and text.Musing on the line of rectangular posters reminded me of a child’s watercolour paint box.Thinking that if the surface was peeled or cut into, colours beneath could be revealed and combined.I thought about how manipulating posters could afford a similar experience to the push and pull of painting, the layering over underpainting and then rubbing back to find colours underneath.In a continuum that began in printmaking then drawing and painting, I applied images through a stencil to the posters as a starting point.”As an object for a subject the poster is a rarely used medium.Working in the 1950’s, a small group of French Nouveau Realists took posters straight from the street and exhibited these with minimal alteration.It was the artist Phillip Martin, a contemporary of the French Nouveau Realists, after seeing Forrest’s poster works in the mid 2000’s, informed him of this link.

poster works / eruptions / SCULPTURES / failures/ painting

We use cookies to enable essential functionality on our website, and analyze website traffic. By clicking Accept you consent to our use of cookies. Read about how we use cookies.

Your Cookie Settings

We use cookies to enable essential functionality on our website, and analyze website traffic. Read about how we use cookies.

Cookie Categories
Essential

These cookies are strictly necessary to provide you with services available through our websites. You cannot refuse these cookies without impacting how our websites function. You can block or delete them by changing your browser settings, as described under the heading "Managing cookies" in the Privacy and Cookies Policy.

Analytics

These cookies collect information that is used in aggregate form to help us understand how our websites are being used or how effective our marketing campaigns are.